BEST SCENE - Henry and Otis enjoying a night in on the sofa, watching their recent home-video recordings, is one of the most disturbing scenes I can remember watching. Anyone without a sense of desolation at the end of the film must be devoid of their senses. Despite a couple of scenes whose violent content borders on the gratuitous, for the most part 'Henry' succeeds by relying on a suffocating atmosphere and it's down-beat characters. I can only think of Kevin Spacey in 'Seven' (1995) giving a similar level of performance for this character-type.
#Last pictures of serial killers victims serial#
Rooker, in the title role, is totally convincing and gives a chilling performance, free from the mannerism clichés which detract from more famous serial killer characters like Hannibal Lector and Norman Bates. Much of the film's power comes from this nonchalant approach, whereby if a person doesn't register that something he is doing is wrong, then it quickly becomes almost acceptable. No mention is given to any police enquiries and Henry is oblivious to any notion of avoiding capture or covering his tracks. We simply follow Henry throughout his daily routine. We are introduced to Henry immediately as a killer and the story does exactly what it says it will in the film's title. The trio is made up by Becky, the sister of Otis, who comes to visit. Wow, that is quite a bit to ignore by even the most die-hard OJ Did It supporters.
The film develops like a three-handed play, revolving around Henry's flat which he shares with former prison-mate, Otis. But we have a notorious serial killer, 22 minutes from the crime scene, who had been at the condo himself, who knew Nicole, knew her friends, and his last day of work JUST HAPPENED to be the day after the murders.
The list of such people who have committed inhumane crimes is endless. Ted Bundy, one of the most prolific serial killers in U.S. I would also say that Henry Rooker's performance is on a par with Peter Lorre's. The world has witnessed many serial killers. By referencing the early Fritz Lang classic, I am intentionally comparing 'Henry' favourably with it. Make no mistake though, this is a highly commendable piece of movie-making, which tackles the subject of serial killers with the same no-holds-barred approach which 'M' did way back in 1931. 'Henry' is not surprisingly often slated as a violent exploitation film, bundled together at Film Fairs with the Italian cannibal flicks of the 70's.
A flat disturbing film, almost documentary in scope which trawls the depths of the human condition.
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